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Download an Issue: 1 – 2 – 3 –
4 – 5 – 6 – 7 – 8 – 9
– 10 – 11
– 12 – 13
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Jane
Aaron, Saxon, Think not All Is Won:
Felicia Hemans and the Making of Britons (Issue 4: 05/00):
cc04_n01.pdf.
Brian
Robert Bates, ‘Wordsworth’s
“Library of Babel’: Bibliomania, the 1814 Excursion,
and the 1815 Poems’ (Issue 14: Summer 05): cc14_n01.pdf.
Jacqueline
Belanger, Some Preliminary Remarks on the Production
and Reception of Fiction Relating to Ireland, 18001829
(Issue 4: 05/00): cc04_n02.pdf.
Margareta
Björkman, ‘High and Low: Some Remarks on the Reading
Culture of the Late Eighteenth and Early Nineteenth Centuries’
(Issue 3: 09/99): cc03_n01.pdf.
Benjamin
Colbert , ‘Bibliography of British Travel Writing,
1780–1840: The European Tour, 1814–1818 (excluding
Britain and Ireland)’ (Issue 13: Winter 04): cc13_n01.pdf.
Andrew
Davies, ‘ The Gothic
Novel in Wales Revisited: A Preliminary Survey of the
Wales-Related Romantic Fiction at Cardiff University’ (Issue
2: 06/98): cc02_n01.pdf.
Kathryn
Dawes, Anonymity and the Pressures of Publication
in the Early Ninteenth Century (Issue 4: 05/00): cc04_n03.pdf.
Marie-Luise
Egbert, ‘The English Landscape
Garden and the Romantic-Era Novel: Changing Concepts of Space’
(Issue 5: 11/00): cc05_n01.pdf.
Peter
Garside, ‘Mrs Ross and Elizabeth
B. Lester: New Attributions’ (Issue 2: 06/98): cc02_n02.pdf.
Peter
Garside, Scott and the Common
Novel, 18081819 (Issue 3: 09/99): cc03_n02.pdf.
Peter
Garside,
Subscribing Fiction in Britain, 1780–1829
(Issue 11: 12/03): cc11_n03.pdf.
Peter
Garside & Gillian Hughes, ‘James
Hogg’s Tales and Sketches and the Glasgow Number
Trade’ (Issue 14: Summer 05): cc14_n02.pdf.
Peter
Garside & Anthony Mandal, ‘Producing
Fiction in Britain, 1800–1829’ (Issue 1: 08/97): cc01_n01.pdf.
Imke
Heuer, “Shadows of Beauty, Shadows
of Power”: Heroism, Deformity, and Classical Allusion
in Joshua Pickersgill’s The Three Brothers and
Byron’s The Deformed Transformed
(Issue 12: Summer 04): cc12_n01.pdf.
Lisa
Hopkins, Jane C. Loudon’s The Mummy!:
Mary Shelley Meets George Orwell, and They Go in a Balloon to
Egypt (Issue 10: 06/03): cc10_n01.pdf.
Avril
Horner & Sue Zlosnik, ‘Dead
Funny: Eaton Stannard Barretts The Heroine as Comic
Gothic ’ (Issue 5: 11/00): cc05_n02.pdf.
Rachel
Howard, Anne Ker (1766–1821):
A Biographical and Bibliographical Study (Issue 11: 12/03):
cc11_n04.pdf.
Rachel
Howard, Domesticating the
Novel: Moral–Domestic Fiction, 1820–1834 (Issue
13: Winter 04): cc13_n03.pdf.
Donald
Kerr, “Satire is Bad Trade”:
Dr John Wolcot and his Publishers and Printers in Eighteenth-Century
England’, (Issue 12: Summer 04): cc12_n02.pdf.
Tim
Killick, The Rise of the Tale: A Preliminary Checklist
of Collections of Short Fiction Published 182029 in the
Corvey Collection (Issue 7: 12/01): cc07_n04.pdf.
Angela
Koch, “The Absolute Horror of Horrors
Revised”: A Bibliographical Checklist of Early-Nineteenth-Century
Gothic Bluebooks (Issue 9: 12/02): cc09_n03.pdf.
Angela
Koch, Gothic Bluebooks in the Princely Library
of Corvey and Beyond (Issue 9: 12/02): cc09_n01.pdf.
Aruna
Krishnamurthy, Assailing the Thing:
Politics of Space in William Cobbetts Rural Rides
(Issue 7: 12/01): cc07_n01.pdf.
Rita
J. Kurtz and Jennifer L. Womer, ‘The Novel as Political
Marker: Women Writers and their Female Audiences in the Hookham
and Carpenter Archives, 1791–1798’ (Issue 13: Winter 04):
cc13_n02.pdf.
Rolf
Loeber & Magda Stouthamer-Loeber, The Publication
of Irish Novels and Novelettes, 1750–1829: A Footnote
on Irish Gothic Fiction (Issue 10: 06/03): cc10_n02.pdf.
Roberta
Magnani, The Mysterious Mrs Meeke: A Biographical
and Bibliographical Study (Issue 9: 12/02): cc09_n04.pdf.
Anthony
Mandal, ‘Revising the Radcliffean
Model: Jane Austen’s Northanger Abbey and Regina Maria Roche’s
Clermont ’ (Issue 3: 09/99): cc03_n03.pdf.
Laura
Mandell, Hemans and the Gift-Book
Aesthetic (Issue 6: 06/01): cc06_n01.pdf.
Michael
Page, Mary Meeke’s
Something Strange: The Development of the Novel and
the Possibilities of the Imagination (Issue 11: 12/03):
cc11_n01.pdf.
Pam
Perkins, Planting Seeds of Virtue:
Sentimental Fiction and the Moral Education of Women (Issue
6: 06/01): cc06_n02.pdf.
Franz
Potter, Writing for the
Spectre of Poverty: Exhuming Sarah Wilkinson’s Bluebooks
and Novels (Issue 11: 12/03): cc11_n02.pdf.
Sharon
Ragaz, Writing to Sir Walter: The Letters of Mary
Bryan Bedingfield (Issue 7: 12/01): cc07_n02.pdf.
Jacqueline
Rhodes, Copyright, Authorship, and the Professional
Writer: The Case of William Wordsworth (Issue 8: 06/02):
cc08_n01.pdf.
Margaret
J.-M. Sonmez, Archaisms in “The Rime of the
Ancient Mariner” (Issue 9: 12/02):
cc09_n02.pdf.
John
Steele, Anne and John Ker: New Soundings
(Issue 12: Summer 04): cc12_n03.pdf.
Anne
Stevens, Tales of Other Times: A Survey of British
Historical Fiction, 17701812 (Issue 7: 12/01): cc07_n03.pdf.
Tamara
Wagner, Nostalgia for Home or Homelands: Romantic
Nationalism and the Indeterminate Narrative in Frances Burney’s
The Wanderer (Issue 10: 06/03): cc10_n03.pdf.
Amy
Weldon, “The Common Gifts of Heaven”:
Animal Rights and Moral Education in Anna Letitia Barbauld’s
“The Mouse’s Petition” and “The Caterpillar”
(Issue 8: 06/02): cc08_n02.pdf.
Caspar
Wintermans, Dutch Translations of English Novels,
17701829 (Issue 7: 12/01): cc07_n05.pdf.

Last modified
5 September, 2005
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This document is maintained by Anthony Mandal (Mandal@cf.ac.uk).
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