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Dr Julia Jordan

Overview

Dr Julia Jordan Position: Lecturer Email: JordanJE@cf.ac.uk
Telephone: +44(0)29 208 70317
Extension: 70317
Location: John Percival Building, Colum Drive, Cathays, Cardiff

Research Group

English Literature

Research Interests

Modernism and late modernism; experimental literature of the twentieth century (in particular the work of B.S. Johnson); Samuel Beckett; contemporary American and British fiction (especially Thomas Pynchon); chance and literature; the clinamen; literary theory.

Selected Publications

Books

Chance and the Modern British Novel: from Henry Green to Iris Murdoch (London: Continuum, 2010).

Well Done God! The Uncollected B.S. Johnson, eds. Jonathan Coe, Philip Tew, Julia Jordan. Picador [forthcoming February 2013].

Articles and Essays

‘Autonomous Automata: Opacity and the Fugitive Character in the Modernist Novel and After’, The Legacies of Modernism: Historicising Postwar and Contemporary Fiction, ed. David James (Cambridge: Cambridge University Press, 2011).

‘Iris Murdoch’s ‘Thingy World’’ Modern Language Review, Vol.  107: 2 (April 2012), pp. 364-378.

‘’For recuperation’: Form and the Aleatory in B.S. Johnson’s The Unfortunates’, Textual Practice [forthcoming 2014].

Publications

Books

Chance and the Modern British Novel: from Henry Green to Iris Murdoch (London: Continuum, 2010).

Well Done God! The Uncollected B.S. Johnson, eds. Jonathan Coe, Philip Tew, Julia Jordan. Picador [forthcoming February 2013].

Articles and Essays

‘Autonomous Automata: Opacity and the Fugitive Character in the Modernist Novel and After’, The Legacies of Modernism: Historicising Postwar and Contemporary Fiction, ed. David James (Cambridge: Cambridge University Press, 2011).

‘Iris Murdoch’s ‘Thingy World’’ Modern Language Review, Vol.  107: 2 (April 2012), pp. 364-378.

‘’For recuperation’: Form and the Aleatory in B.S. Johnson’s The Unfortunates’, Textual Practice [forthcoming 2014].

Research

My research covers late-modernist to contemporary literature, with a focus on British and Irish fiction, but also including contemporary American fiction. My monograph, published in 2010, considers the relationship between chance and narrative in the post-war British and Irish novel, and recent, forthcoming, and submitted work includes articles on Samuel Beckett, Thomas Pynchon, B.S. Johnson and Iris Murdoch. I’m currently working on the idea of errancy and narrative, using the Lucretian idea of the clinamen as a way of thinking about character and autonomy. My second monograph will trace these ideas in the novel of the mid- to late-twentieth century, from Beckett to Pynchon.

Another important strand of my research continues to build on my interest in the work of B.S. Johnson. I am currently co-editing a special issue of Critical Engagements on his work, while also co-editing a major edition of Johnson’s previously uncollected and unpublished writings with his biographer Jonathan Coe and Professor Phillip Tew, tentatively entitled Well Done God! The Uncollected B.S. Johnson. Other recent forthcoming and submitted work includes an article on Iris Murdoch’s engagement with materiality, and an essay on the figure of the autostereogram in the work of Thomas Pynchon.

Biography

My first degree was in Classics at King’s College, before moving to study English at University College London, where I took my MA and my PhD. Since graduating in 2008, I have taught at UCL, Cambridge and Sussex, before moving to Cardiff in 2011. I am on the board of the Modern Fiction Studies Network, and I am an Associate Editor of the journal Critical Engagements.